White Fang — Summary

White Fang is, in many ways, the coun­ter­part to Jack Lon­don’s ear­li­er nov­el, The Call of the Wild. Where­as in that nov­el, a domes­tic dog in the Alaskan wilder­ness becomes a fero­cious wolf, a half-wolf grad­u­al­ly devel­ops into a well-adjust­ed “best friend” of his mas­ter. Jack Lon­don was one of the first to describe in fic­tion the impor­tance of the envi­ron­ment in devel­op­ing a per­son­al­i­ty, even that of an ani­mal. Despite its psy­cho­log­i­cal sub­tleties, White Fang is pri­mar­i­ly a clas­sic adven­ture nov­el, not least because of the impres­sive descrip­tions of nature in the Cana­di­an wilder­ness around the Yukon. Here, the law of the jun­gle pre­vails, and Lon­don describes the bru­tal cycle of eat­ing and being eat­en, often with­out comment.

White Fang - Summary
White Fang by Jack Lon­don at QuiddityHub.com

Take-Aways

  • Along with The Call of the Wild and The Sea-Wolf, White Fang is one of the most suc­cess­ful nov­els by Amer­i­can adven­ture writer Jack London.
  • Jack Lon­don nar­rates the sto­ry from Wee­don’s per­spec­tive, offer­ing the read­er a glimpse into his thoughts.
  • The nov­el draws upon Lon­don’s expe­ri­ences as a prospec­tor in the Klondike.
  • Like many of Lon­don’s works, White Fang is notable for its detailed descrip­tions of nature.
  • Charles Dar­win’s the­o­ry of evo­lu­tion and its prin­ci­ple of the sur­vival of the fittest sig­nif­i­cant­ly influ­enced the nov­el­’s structure.
  • White Fang’s trans­for­ma­tion into a domes­ti­cat­ed ani­mal is made pos­si­ble through the affec­tion and love of his master.
  • White Fang achieved sig­nif­i­cant com­mer­cial suc­cess and has been adapt­ed into sev­er­al films.

White Fang Book Summary

Hunted by Wolves

North­west Canada’s Yukon Ter­ri­to­ry at the end of the 19th cen­tu­ry: two adven­tur­ers cross the lone­ly and frosty snowy desert by dog sled. Bill and Hen­ry use their six dogs to trans­port equip­ment, food and a cof­fin. It con­tains the body of an Eng­lish lord who died dur­ing a trip to Cana­da and must now be brought home. To do so, the cof­fin must first be trans­port­ed to the vil­lage of McGur­ry, which is sev­er­al days’ sleigh ride away. A pack of hun­gry wolves fol­lows the men, approach­ing the camp­fire each night. As Hen­ry feeds the dogs, a sev­enth mouth sud­den­ly snaps shut and dis­ap­pears into the dark­ness. Only five dogs are left at the camp­site the fol­low­ing day — and the loss con­tin­ues. One by one, a female wolf lures the males into the trap of the pack lurk­ing in the dis­tance. She shows no shy­ness toward the men. She is used to being around peo­ple. A few days lat­er, Bill rush­es to the aid of his favorite dog and runs to his doom. Only Hen­ry sur­vives the per­ilous trans­port. He is res­cued just in time, as oth­er men have gone in search of the deceased mas­ter and hap­pen to be nearby.

The Rules of the Wild

The she-wolf wants to mate and pits the three males she finds most inter­est­ing against each oth­er. The win­ner, a one-eyed and expe­ri­enced wolf, becomes her mate after the pack is dis­persed. The female wolf retreats to a cave to give birth to her pups. Although the male wolf pro­vides the best pos­si­ble care for his fam­i­ly, only the strongest of the five pups sur­vive. When the father dies in a fight with a lynx and the moth­er must go in search of food, the curi­ous young wolf sets out to dis­cov­er the world out­side the cave. Ani­mals, trees and grass, rocks and rivers: Every­thing awaits explo­ration. By chance, the young wolf dis­cov­ers a ptarmi­gan’s nest and finds his first prey as chicks. But he also encoun­ters the angry moth­er. A hawk snatch­es the prey from him before he can eat it.

As the gray cub con­tin­ues its for­ay through the wilder­ness, it tum­bles down a slope and falls into a riv­er. Rapids catch the lit­tle one, who, after some ini­tial dif­fi­cul­ty, instinc­tive­ly begins to swim. Far from his cave, he is washed ashore. There, he meets a weasel, small­er than the wolf but expe­ri­enced and aggres­sive. It bites the wolf’s neck. At the last moment, the wolf appears. She kills the weasel and eats it with her son before they both return to the shel­ter. In a very short time, the young wolf has learned the rules of the wilder­ness. What was once a game is now dead­ly seri­ous: eat or be eaten.

With the Indians

One day, the wolf and her cub meet a group of Indi­ans. The peo­ple rec­og­nize the moth­er ani­mal that once belonged to their tribe: it was born from the union of a wolf and a bitch. Dur­ing a famine, the half-wolf fled into the wilder­ness and joined a pack of wolves. After sev­er­al years, she returns to the Indi­ans, her pup in her wake. Because of his strik­ing teeth, the young wolf is named White Tooth by his new mas­ter, the Indi­an Gray Beaver. Lit­tle by lit­tle, White Fang becomes more famil­iar with his new sur­round­ings and the rules of the humans, who seem like all-pow­er­ful gods. From the begin­ning, his only ene­mies are the com­mon dogs. One dog in par­tic­u­lar, the undis­put­ed leader of the dogs in the Indi­an camp, makes life dif­fi­cult for White-tooth.

When White Fang and his moth­er are sep­a­rat­ed, the young wolf, who is only a quar­ter dog, has to learn the hard way how to defend him­self against the dogs. This makes him unpop­u­lar with many of the Indi­ans. Most of them insult the wolf­dog and chase him away when he comes near them. The only excep­tion is Gray Beaver, who treats White Fang a lit­tle more fair­ly but still leads him with a firm hand. Hat­ed by humans and ani­mals alike, White Fang’s gen­tle side is with­er­ing. He espe­cial­ly hates being laughed at when he burns his nose on his first encounter with fire.

Outsider

White-tooth’s desire for free­dom is so strong that he flees into the near­by woods one day. But the Wolfhound has become too accus­tomed to being around humans, despite all the evil, and vol­un­tar­i­ly returns to the Indi­ans. The wel­come is not warm, but the return is reward­ed with extra food. White Fang is now also used as a sled dog, fur­ther com­pli­cat­ing his rela­tion­ship with the oth­er draught ani­mals. On the oth­er hand, he feels a par­tic­u­lar bond and loy­al­ty to Grey Beaver and his fam­i­ly. White Fang runs with the sled team of Mit­sah, Grey Beaver’s son. When oth­er chil­dren attack Mit­sah, the Wolfhound stands by him and defends him. In return, he receives praise and extra food. Slow­ly but sure­ly, White Fang finds his place in the community.

When he was three, the Indi­ans were hit by a great famine. Some dogs are slaugh­tered. The more intel­li­gent ani­mals, includ­ing White Fang, flee into the woods. There, he preys on the weak­er mem­bers of his species to sur­vive. He also unex­pect­ed­ly encoun­ters his neme­sis, the male from the Indi­an camp, who has also fled into the for­est. White-tooth — now a more than equal oppo­nent — kills him. When the food short­age ends, the Wolfhound vol­un­tar­i­ly returns to the Indi­ans. He is now stronger than most dogs and reg­u­lar­ly proves it to them. He regains the respect he lost as a sub­or­di­nate sled dog in the wild night fights. Unlike the dogs, White Fang does not warn his numer­i­cal­ly supe­ri­or oppo­nents but attacks them direct­ly and makes short work of them. Because of the many dogs that fall vic­tim to him, he soon gains a leg­endary rep­u­ta­tion among the Indi­ans, but this does not make him any more popular.

A New Master

White Tooth accom­pa­nies his mas­ter, Gray Beaver, on a long jour­ney to Fort Yukon. The place is over­crowd­ed with gold seek­ers, who leave from here for Daw­son and the Klondike. The Indi­an makes a roar­ing trade in skins and furs, while White Fang hunts the new­com­ers’ dogs for fun. The Wolfhound is cun­ning enough only to hunt and catch the new dogs, leav­ing their killing to the dogs of Fort Yukon, who want to defend their ter­ri­to­ry. How­ev­er, they also suf­fer the pun­ish­ment of the dog own­ers. In this way, White Fang can harm all the hat­ed dogs. His clever actions are noticed and attract the inter­est of the shady cook and assis­tant, Beau­ty Smith. He wants White Fang because he takes sadis­tic plea­sure in his bloody feuds. At first, Gray Beaver refus­es to sell his unique Wolfhound, but then Smith intro­duces the Indi­an to alco­hol. All the mon­ey is spent in no time, and Gray Beaver trades White Fang for a few bot­tles of fire­wa­ter. The ani­mal takes sev­er­al blows from both sides before accept­ing his fate.

In the Arena

White Fang is now trained and made aggres­sive with clubs, taunts, and insults to com­pete in dog fights orga­nized by Beau­ty Smith. White Fang enjoys the fights because he can let off steam and always comes out on top. He main­tains the upper hand even in fights with sev­er­al oppo­nents at once or with wolves and lynx­es. The win­ning streak con­tin­ues, and soon there seems to be no suit­able oppo­nent for White Fang, known as the “Fight­ing Wolf”. The tables turn when White Fang is pit­ted against a pit bull. At the end of a bru­tal fight, the pit bull bites the wolf­dog’s neck, leav­ing him in a life-threat­en­ing sit­u­a­tion. A man by the name of Wee­don Scott hap­pens to be pass­ing by the are­na. Dis­gust­ed by what is hap­pen­ing, he insults the spec­ta­tors and vio­lent­ly ends the show: after knock­ing down Beau­ty Smith, he buys White Fang from the ani­mal abuser under threat of fur­ther violence.

The Beloved Master

Wee­don Scot­t’s first attempts to get close to the wolf­dog end with bloody hands and legs, but Scott and his sled dog dri­ver, Matt, aren’t about to give up. The most crit­i­cal steps to suc­cess are free­ing White Fang from the chain, no more beat­ings, and reg­u­lar feed­ing. With great sen­si­tiv­i­ty and patience, Scott gains White Fang’s trust and begins to enjoy being touched and pet­ted. In return, he proves to be a reli­able watch­dog and sled leader. How­ev­er, the Wolfhound finds it dif­fi­cult to express his new feel­ings. He does not bark, wag his tail, or play. He has nev­er learned any of that. He responds more sub­tly with depend­abil­i­ty, growls, and sheer pres­ence. White-tooth has trou­ble tol­er­at­ing when his new mas­ter is away on busi­ness. Dur­ing that time, the Wolfhound refus­es to eat and becomes ill. When his mas­ter returns, his con­di­tion con­stant­ly improves quickly.

When Wee­don Scott decides to return to his home in Cal­i­for­nia, he first wants to leave White Fang in the care of his friend Matt. But the Wolfhound jumps through a closed win­dow and arrives on the Yukon steam­er short­ly after his mas­ter. Scott can’t bring him­self to leave White Fang behind and takes him with him. When they come to San Fran­cis­co, White Fang is deeply fright­ened by the big city’s hus­tle and bus­tle and noise. He feels more depen­dent on his mas­ter than ever and, at first, growls at any­one approach­ing him.

The New Home

White Fang’s new home in sun­ny Cal­i­for­nia is not a city but the Scott fam­i­ly’s large estate. White Fang meets Wee­don Scot­t’s par­ents, chil­dren, sib­lings, and ser­vants there. Over time, he makes friends with his new sur­round­ings, over­comes some shy­ness, and learns many new rules. He devel­ops affec­tion for most fam­i­ly mem­bers and real­izes he must leave oth­er pets alone. By this time, how­ev­er, many chick­ens have died in the Wolfhound’s jaws. One of White Fang’s most amaz­ing changes is that he plays, at least with his mas­ter, to whom he is uncon­di­tion­al­ly devot­ed. He also accom­pa­nies him on long rides into the sur­round­ing coun­try­side. When Scott falls while rid­ing and is injured, he orders White Fang to run home and get help, which he does. The ani­mal’s affec­tion only wanes once when the female sheep­dog in the house, who is ready to mate and has always been dis­mis­sive of White Fang, shows inter­est in him for the first time and invites the male to go on an out­ing with her.

A Tough Guy

As a judge, Wee­don Scot­t’s father once sen­tenced a man named Jim Hall to a lengthy prison term, and Hall swore revenge in the court­room. When Hall man­ages to escape prison, he goes to the Scott estate and breaks into the house at night. Before he can wreak hav­oc, the crim­i­nal is con­front­ed by White Tooth. Hall does not sur­vive the brief fight that ensues, but he inflicts severe injuries on the Wolfhound: gun­shot wounds, bro­ken bones, and inter­nal bleed­ing. A grate­ful Judge Scott pro­vides White Fang with the best med­ical care, and he sur­vives thanks to the excel­lent treat­ment and care he receives and his bru­tal nature. Once back on his feet, White Fang takes his first unsteady steps at his mas­ter’s side into the sta­bles, where six curi­ous pup­pies greet him. The shep­herdess had just giv­en birth to them. Sat­is­fied with him­self and the world, White-tooth lies down to doze in the warm sun while the kit­tens play­ful­ly crawl over him.

Structure and Style

Jack Lon­don choos­es a some­what unusu­al intro­duc­tion for White Fang: the first part intro­duces char­ac­ters who play no role in the rest of the sto­ry. In the fol­low­ing part, Lon­don does not take the per­spec­tive of humans but of ani­mals. The open­ing episode reads like an intro­duc­to­ry short sto­ry, pri­mar­i­ly set­ting the action’s time and place and estab­lish­ing the nov­el­’s atmos­phere: In the harsh wilder­ness of the Amer­i­can North, the law is to eat or be eat­en. As the sto­ry pro­gress­es, the action moves fur­ther away from this bar­ren region, end­ing in sun­ny Cal­i­for­nia. The exter­nal action is fol­lowed by the devel­op­ment of White Tooth’s per­son­al­i­ty, from whose per­spec­tive Lon­don writes. The strug­gle against his wolfish sav­agery is, metaphor­i­cal­ly speak­ing, the con­flict between nature and civ­i­liza­tion. Lon­don gets to the point quick­ly: his sen­tences are short, and he uses active verbs and brief descrip­tions of nature and mood. Above all, he wants to enter­tain, describes more than he explains, and large­ly avoids moral digres­sions. When Lon­don adopts the wolf’s point of view, he always describes the events in a nat­u­ral­is­tic, calm and objec­tive way, with­out sen­ti­men­tal­i­ty and with­out try­ing to human­ize the ani­mal too much.

Historical Background

The Klondike Gold Rush

White Fang is set against the back­drop of his­to­ry’s most incred­i­ble gold rush. The area around the Yukon and its trib­u­tary, the Klondike, was explored by Robert Camp­bell, a fur trad­er for the Hud­son Bay Com­pa­ny, in the 1940s. The area became part of the Cana­di­an North­west Ter­ri­to­ries in 1870. At that time, the area was a des­o­late wilder­ness. This changed abrupt­ly with the dis­cov­ery of gold. On August 16, 1896, Amer­i­can George Car­ma­ck and his Indi­an rel­a­tives struck gold at Rab­bit Creek. The news imme­di­ate­ly attract­ed sev­er­al men to prospect around the small town of Forty Mile.

For almost a year, the ini­ti­ates could col­lect gold in peace with­out being dis­turbed by the out­side world. How­ev­er, when some of the new­ly mint­ed gold mil­lion­aires trav­elled up the west coast of the U.S. by steamship, the news of the gold dis­cov­er­ies caused a ver­i­ta­ble earth­quake. More than 100,000 Amer­i­cans jour­neyed to the Yukon, and adven­tur­ers came from as far away as Aus­tralia, Europe, and Asia. At first, the gold was panned by hand; lat­er, mines were built. Not all new­com­ers sought gold; many want­ed to make mon­ey in the bur­geon­ing gold-min­ing towns with their crafts and trades. Out­fit­ters, pro­vi­sion­ers, laun­dries, hotels, saloons, and broth­els flour­ished. Prospect­ing con­tin­ues in the Klondike today, albeit with exca­va­tors, bull­doz­ers, and pans.

Origin

Charles Dar­win was a sig­nif­i­cant influ­ence on Jack Lon­don. His the­o­ries were well-known by 1900 and shaped many peo­ple’s views of nature and life. Jack Lon­don used Dar­win’s pop­u­lar­i­ty as ear­ly as 1903 in his nov­el Call of the Wild, which describes the fer­al­iza­tion of a dog that sur­vives in the harsh nat­ur­al envi­ron­ment thanks to its out­stand­ing adapt­abil­i­ty. The book’s suc­cess quick­ly aroused the desire in Lon­don to write anoth­er nov­el with a sim­i­lar theme, not a sequel, but set in the con­text of the first. In Feb­ru­ary 1906, he told his pub­lish­er that he intend­ed White Fang to be the coun­ter­part to Call of the Wild: “I shall reverse the process. Instead of show­ing how a domes­ti­cat­ed dog reverts to a wild ani­mal, I shall show the path of evo­lu­tion, the civ­i­liza­tion of a dog. Nat­u­ral­ly, Lon­don hoped White Fang would be a hit, build­ing on the suc­cess of the ear­li­er book.

He began writ­ing the nov­el in the sum­mer of 1906. Once again, he used the harsh life in the icy north of the Unit­ed States and the gold rush in the Klondike as the back­drop for his plot: he had prospect­ed for gold in the Klondike in 1897. Lon­don want­ed to describe the devel­op­ment of his ani­mal pro­tag­o­nist metic­u­lous­ly and sci­en­tif­i­cal­ly. Using an ency­clo­pe­dia, he sketched: “White-tooth is con­ceived in Feb­ru­ary, born on April 3, opens its eyes for the first time after 21 days, is suck­led until June 5, eats meat from May 3, leaves its moth­er in Decem­ber, is ful­ly grown in three years, and lives 15 years.” Lon­don made rapid progress on the nov­el. It was fin­ished in ear­ly Octo­ber 1906, and the book was on the mar­ket a month later.

History of Impact

Like its pre­de­ces­sor, Call of the Wild, White Fang was and remains one of Jack Lon­don’s most famous nov­els. Lon­don was extra­or­di­nar­i­ly suc­cess­ful as an author who delib­er­ate­ly chose the gen­er­al pub­lic as his audi­ence and who want­ed to make a liv­ing from his books. Trans­la­tions into some 30 lan­guages and mil­lions of copies in print speak for them­selves. Lon­don was one of the first to address the influ­ence of the envi­ron­ment on the indi­vid­ual and Dar­win­ism and to cre­ate an atmos­pher­ic setting.

Like any good adven­ture nov­el, White Fang has been made into a movie sev­er­al times. How­ev­er, not all adap­ta­tions stuck to the orig­i­nal plot. For exam­ple, the 1991 film with Ethan Hawke and Klaus Maria Bran­dauer took a very lib­er­al approach to the sto­ry but was so suc­cess­ful that a sequel even fol­lowed it.

 

Waldemar

As an avid book lover, I've channeled my passion for literature into creating QuiddityHub.com, where I craft and share concise summaries of my favorite reads. My mission is to distill the essence of each book, making the world's wisdom accessible to fellow enthusiasts and curious minds alike. Join me on this journey of discovery and insight, one summary at a time.

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